Weaves

The Luxury Collection by Cloth Studio is all about understated opulence, a collection of pieces that are simple, not simplified, focusing on natural fibres, geometry, and the importance of texture. The collection introduces weaves titled Dodoma, Mawamba, and Kito, alongside our first-ever double-width sheers, Asama, Midori, and Imani.

Quiet luxury defines this collection. To quote American artist Frank Stella, 'What you see is what you see'—a refined blend of plains and stripes, crafted with the utmost care and designed to be felt and savoured.

Mawamba is a luxurious tactile weave that embodies quiet elegance. With a palette spanning soft ecrus to rich jewel and earthy tones, this versatile fabric enhances both contemporary and classic spaces.

The Luxury Collection by Cloth Studio is all about understated opulence, a collection of pieces that are simple, not simplified, focusing on natural fibres, geometry, and the importance of texture. The collection introduces weaves titled Dodoma, Mawamba, and Kito, alongside our first-ever double-width sheers, Asama, Midori, and Imani.

Quiet luxury defines this collection. To quote American artist Frank Stella, 'What you see is what you see'—a refined blend of plains and stripes, crafted with the utmost care and designed to be felt and savoured.

Midori is a luxurious sheer weave with a minimalist design that exudes understated elegance. Its double-width construction provides ample fabric for drapery, while a palette of natural hues captures the essence of its name.

Triangulated Intaglios VI’ was part of Anni’s later period of works. The design was created in the 1970s and had a geometric purity that only Albers could have achieved. Emulating the same purity in a textile form was a challenge, but by increasing the scale of the design of the woven pattern, we were able to mimic the same crispness of line as found in the original work.

‘With Verticals’ was a cotton and linen wall hanging produced by Albers in 1946. The skill required to create the broken vertical lines within the weave is hard to fathom. It was essential to match the same scale of the vertical lines when developing the design in a new iteration. In contrast to the original work, the new design is produced in natural tones.