Fabrics

Frieda has a timeless woven construction; the ideal plain weave is presented in complimentary tones to those of the collection. In addition, its cotton to linen ratio makes it the perfect weight for curtains or upholstery.

Hanging 1925 is inspired by a work called ‘Wall Hanging’, created in 1925 by Albers. As the most prominent artist in the school of textiles, Albers was well known for using geometric abstraction in her weavings. The new colourways stay true to Albers’ vision and unique narrative when using colours together. The design focuses on the original work’s weave construction and rich texture.

Himba takes its inspiration from an old ethnic weave that Michal discovered while traveling. Building upon the original design, the weave structure was opened to impart a more contemporary feel, highlighting the balance of the pattern. The choice of yarns introduces a subtle ombré effect within the design itself.

Kit Kemp has an individual and original approach to designing her fabrics and trims collection. Her use of colour and attention to detail celebrates craft and captures the imagination. Kit treasures her working relationship with Michal Silver at Christopher Farr Cloth in making her design ideas a reality. Kit Kemp MBE has forged an internationally-acclaimed reputation for her unique hotel interiors as Founder and Creative Director of Firmdale Hotels and a design practice, Kit Kemp Design Studio. In addition, the studio has a thriving textile, fragrance and homewares business. Furthermore, Kemp has authored several best-selling design books and is a champion of British art, craft and sculpture.

Karoo draws inspiration from Indian textiles and the traditional art of hand-weaving. Envision the design as a sketch, where varied lines and patination are translated into the woven form, creating a unique and intricate woven pattern.

Little Weed, a true gem of a weave, offers a contemporary twist on traditional designs. Its interplay of geometric shapes and intricate details evokes a sense of modernity, making it a versatile choice for both classic and contemporary interiors. Kemp’s thoughtful insight into Little Weed reflects its versatility, “this is a great upholstery fabric. It can be used on both sides to different effect. It is neat and lyrical and fun. It will look so different in a contemporary or traditional setting. It can achieve a lot in a small repeat and it looks like a Little Weed.”